Experimental Centennial Education Program 1969-1978
All that's left of the Centennial Educational Program is what former students of the now defunct program can see on their transcripts. Gene Harding, retired journalism professor at the University of Nebraska and chief professor of the program, recently found out that files for each student who participated in the experimental program are no longer kept by UNL. Transcripts with credit from the program read "Centennial College," but there's no way to determine the nature of work a student did for the credit, he said. The memories of the people involved, however, are alive and well, and the fondness for the experience the program gave them is reflected in the way they talk about it. Centennial College was a residential college started in 1969 with the idea that students would live and learn in the same place. It was located on North 16th Street in two halls, Love and Heppner, which were connected by a partially underground tunnel. The college was perhaps known best for its casual learning environment. Students were encouraged to call professors by their first names, and almost all the courses were seminars, not lectures, Harding said. Professors had to be approved by the students before they were allowed to teach in the program. "I remember one professor was kicked out because he insisted on standing and lecturing the whole time," Harding said. Students also were involved highly in making decisions about the program, which, according to Harding, made for some trying times. "Nominally I was dean of the college," he said, "but I didn't make many decisions without a town hall meeting. It was a little frustrating getting things done, but it was great fun." Students came up with their own project ideas, modeling independent study courses, he said. At the end of the project, they would be evaluated by the professor and given a pass/fail grade. |
Ryly Jane Hambleton, journalist and former student of the program, said taking classes in the same place she lived had its advantages.
"I didn't have to drag myself out of bed a whole lot earlier to get to class," Hambleton said, laughing. "Some of us barely got dressed. I know some guys who would come to class in their robes." Students who were not in the program often came to Love Hall to study because they came to know it as a place where they could get work done. One room in Love was remodeled to create a gathering space. The floor was covered in green shag carpet, giving it the name "the Grass Room," she said. L. Kent Wolgamott, also a journalist and former Centennial student, attended the program in the late 1970s. By the time he came to the program, he said, it was less rigid and more fun. One of his projects was remaking the movie "Wizard of Oz" at Pioneers Park. "It wasn't the most strenuous work academically," Wolgamott said. Other projects he took part in, however, required more serious effort, such as looking for everything written by Hunter S. Thompson and finding where the political power in Lincoln was located. While the students had close relationships with the professors, the attention from students had some unintended consequences, he said. When Harding was running for a state Senate seat, for example, students from the program followed him on the campaign. "Having a busload of hippie students come out and support you isn't necessarily the impression you want to make," he said. Harding's bid was unsuccessful. While the spirit of the college is still alive in Wolgamott, he wonders if the program, had it survived, still would be relevant today. "What we did then, versus independent study, isn't that much different, except that we did it in large groups," he said. "It made for a different kind of college experience, though I'm sure just talking about it can't give you an idea of what it was like to really be there." After the program was cut for budgetary reasons in the late 1970s, Harding moved on to another academic position but lamented the end of the program. "Centennial played such a large role in the lives of the students," he said. "I did other things, but nothing after that was nearly as satisfying." |
The Centennial Education Program
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Curricular Program DesignThe Centennial College's curriculum was designed around new philosophies toward learning; the idea that education can be more effective if students are given freedom to choose to study topics that they are interested in. The college essentially offered elective course material without students having to sift through many extra subjects. Frequently students would pick a topic of interest, and then the professorial staff involved would design a semester-long course based around this choice, frequently involving large projects that the student would work on, and make progress reports on to the staff periodically. Additionally, almost all classes offered in this fashion were done so under a pass/fail grading system, effectively eliminating the students' pressure to learn and regurgitate information on exams, and putting a larger emphasis on self-development. Naturally, exceptions were available, usually if the teacher requested a student's work be graded on the usual four-point scale due to exceptional work. This curriculum design allowed for openings for guest instructors and material as well. For example, later in the program's existence (in the school year of 1977-1978), there was an in-dormitory rotation of guest instructors who lived in Love - Heppner, including a guitarist who instructed interested students in classical guitar, a professional painter, a mural artist, and a mime, pantomime, mask performance and juggling instructor
Integration of Studies and LifestylesNaturally, with the integration of this new type of college into the university, some space would have to be allotted to living areas for students. This proved a problem that was difficult ' but not impossible ' to overcome, as the university was already somewhat lacking in dorm space. The solution was to use some already-present dormitory space for new purposes. In 1969, 231 spaces were chosen to be set aside for the use of the Centennial College in Love hall and Heppner hall (one space is roughly equivalent to one student's necessary living accommodations). Of these spaces, 2 were used to board housemothers, 12 spaces were used to board 6 student assistants (at the use of 2 spaces per student assistant, meaning each was given their own full room), and an extra 2 double dorm rooms and 2 single dorms were made by partitioning an old sun parlor in Heppner hall. This left 57 extra spaces that could be used as classrooms, galleries, and activity rooms by the students in the Centennial College. With this innovative use of space, the participants in the Centennial College were able to seamlessly integrate their work on schoolwork and living, further demonstrating the ingenious learning strategies of the college. Students were given more freedom to work, relax, and live on a day-to-day basis within their college setting, minimizing difference between school and home, and allowing them to learn around their own schedules.
Professors Involved During This 1969-1972 Period
The Centennial College initially had a professorial staff of four full-time teachers and five part-time teachers.
The full time teachers included
Part-time staff included |